Just over the fence

Dear art collector,

Hi there.

This is my first effort at a newsletter. I was hoping to be able to bring it to you with your own name personalized at the top of the page, but this has proven to be an exercise fraught with difficulties so I've given that idea away for now. I thought it was more important to simply communicate to my collectors.

It has been an intention of mine to keep you up to date from time to time on what I have been doing in the studio, in case there is something I am producing that interests you or somebody you know.

The new painting of the Black Marlin has been out for a little while now and proving in every respect to be as popular as the Stripie, the first one in the series.

Very recently I completed the oil painting shown on my web site called "Just over the fence "

with some of its background story. It measures 1222mm x 702mm.

The person who commissioned me to do the work is thrilled with it and has been getting very favourable comments from various visitors.

You can read the story about the painting on our web site at www.brianmoore.co.nz .

Right at the moment I am working to complete a large bronze sculpture of a Black Marlin powering out of the water with some schooling yellowfin scarpering away beneath it. This is a very dramatic high-action study which will be produced as a very limited edition of just twenty-five numbered castings.

As soon as this piece is completed, in a couple of weeks, I will be looking at taking on some more commissioned work. The painting "Just over the fence" I did for $10,000 which is my current rate for a painting of this type. Of course what I am able to ask for my originals goes up over time, with more demand and recognition of my work, so if you think you might be in the market for something, do get in touch and we can have a look at the idea. With anything like this, now is the best time. More than once I have heard the story of what somebody could have bought an artist's work for, years before his prices were out of their reach.

So, whether it be a landscape, portrait or bronze sculpture you may be interested in, do get in touch with me.

Best wishes,

Brian

Phone: 09 427 5728
email: moorefineart@igrin.co.nz

web site: www.brianmoore.co.nz

Brian with Sir Edmund Hillary (front)

Brian Moore - The artist

Brian Moore
A short Bio

My grandfather picked me for an artist at the age of two and a half years. I can still recall drawing the outline of a steam engine with crayon in my left hand and, by the time I got to the cab, I took over with my right hand to complete the drawing down that end. When I was three the family moved from Timaru to Christchurch where I spent my youth.
After completing high school I went on to do a graphic art course at the Technical Institute, which I ditched half way into the second year, because the powers-that-be tried to bring in a change that meant I would have to do my english exams over again. My uncle Bruce Harvey, also an artist, got me my first job in the art field, so at the age of nineteen I moved to Auckland to become the layout artist for a women's magazine.
A few years later I met Judith, who was to become my wife and, while raising twin daughters, Diana and Vanessa, we got on with the task of producing and marketing my work. We have been working together now for nearly twenty five years, and there have been a few milestones along the way.
For fifteen of these years I concentrated on pen and ink drawings done in millions of tiny dots. Each took hundreds of hours to complete and they ranged in topic from N.Z. wildlife and bush to turn-of-the-century colonial New Zealand. During this time I sculpted my first bronze, a life sized study of a tuatara. Number one of this edition was presented to H.R.H. Prince Phillip by the World Wildlife Fund.
In 1995 I was greatly inspired by New Zealands performance in the America's Cup and was fortunate enough to be able to do the official Team New Zealand portrait of Black Magic, our boat that won the cup.
Most recently I have been working in the field of New Zealand marine wildlife. While the edition of Black Magic was on the market we discovered that at the time there were somewhere in excess of 60,000 people who registered for tournament fishing in New Zealand on an annual basis. I had been game fishing a few times, but it had never occurred to me to paint these magnificent beasts. Since I was a kid I had wanted to paint large game, but we didn't have any lions or elephants as part of our native wildlife. Of course the marlin are our own big game, and I have been having a lot of fun with painting and sculpting them.

You can visit Brian's web site here to see his many painings and sculptures